Unable to cope with the sick and dying who desperately entreat him to heal them with the power of the Grail, Arthur accepts an offer from an entrepreneur with a new approach to health care: siphon water through the Grail, bottle it, and sell it as a curative. Flooding the market, Grail Water becomes the hottest-selling commodity in the history of humanity. Unfortunately, it's also tainting the very purpose of the holy cup's existence-and Arthur may soon discover exactly how the road to hell is paved with good intentions.
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Creators
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Peter DavidAuthor
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A Full CastNarrator
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Terence AselfordNarrator
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Matthew KeenanNarrator
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Amanda ForstromNarrator
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Christopher WalkerNarrator
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Gregory LiningtonNarrator
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Tia ShearerNarrator
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Ken JacksonNarrator
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Chris GenebachNarrator
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Nora AchratiNarrator
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James LewisNarrator
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Brian HemmingsenNarrator
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Kimberly GilbertNarrator
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Chris DavenportNarrator
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Alyssa WilmothNarrator
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Evan CaseyNarrator
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Nick DePintoNarrator
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Tracy OliveraNarrator
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Michael GlennNarrator
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Steven CarpenterNarrator
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Eric MessnerNarrator
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Michael John CaseyNarrator
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Scott McCormickNarrator
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Jonathan FeuerNarrator
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Nanna IngvarssonNarrator
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Chris ScheerenNarrator
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Nanette SavardNarrator
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Dawn UrsulaNarrator
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David JourdanNarrator
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Tony NamNarrator
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Rose Elizabeth SupanNarrator
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Mort ShelbyNarrator
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Dani StollerNarrator
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Bradley SmithNarrator
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Series
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Publisher
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Release date
May 7, 2020 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781648795015
- File size: 233336 KB
- Duration: 08:06:06
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Languages
- English
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Reviews
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Publisher's Weekly
April 24, 2006
The conclusion of David's 21st-century Arthurian trilogy will please fans of the previous two books, Knight Life
and One Knight Only
, but those expecting humorous fantasy on the level of Terry Pratchett or Monty Python will be disappointed. King Arthur, who has served as the mayor of New York City and even as president of the United States under the name Arthur Penn, is suddenly forced to tell the world who he really is and that he possesses the Holy Grail. Attempts to go mass market with the Grail's curative properties create complications involving Nazis and assorted other menaces. Despite the author's propensity for punning titles and silly archaisms like "Ye Olde Interlude," the resultant oil-and-water mixture achieves neither comedy nor drama, much less a blending of the two as in T.H. White's The Once and Future King
. The incongruity of great, mythic figures behaving (or speaking) in an entirely banal and trivial manner is, alas, only that.
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